Joe “King”
Oliver is among the seminal figures in the history of jazz music. Oliver was an
influential musician in the early days of jazz whose hot cornet playing
influenced all those who followed in his footsteps including Louis Amstrong,
Oliver’s student, charge and employee. It was Oliver who convinced Armstrong to
leave New Orleans for Chicago , and play second cornet in Oliver’s
Creole Jazz Band took the first steps on a journey that would see Armstrong
revolutionize jazz and American popular music.
Oliver was born
in New Orleans
in 1885 and was blinded in one eye as a child. He often played cornet while
wearing a derby hat in such a way as to obscure his bad eye. Oliver was one of
the first cornetists to use a mute to alter the sound of his cornet. Using a
mute, he was able to produce a wide variety of sounds including the whinnying
of a horse.
Oliver started
his professional career in New Orleans
around 1908. He was a member of several marching bands, and he worked at
various times in Kid Ory’s band. Ory began referring to him as “King” Oliver
around 1917.
In 1919, Oliver
moved to Chicago
with Kid Ory and played in Bill Johnson’s band at the Dreamland Ballroom. Oliver
formed “King Oliver’s Creole Jazz Band” in 1922, and landed a residency at Chicago ’s Lincoln
Gardens . His new band
featured some of the best jazz musicians of the time including clarinetist Johnny
Dodds, trombonist Honore Dutrey, pianist Lil Hardin, drummer Baby Dodds, and
Louis Armstrong on second cornet.
King Oliver’s Creole
Jazz Band 1923 recording sessions for the Gennet label produced some of the best-ever
recordings of jazz with “Chimes Blues,” “Just Gone,” “Dippermouth Blues,” and “Snake
Rag.” These recordings revealed the brilliant dual cornet playing of Armstrong
and Oliver, and introduced Armstrong’s virtuosity to the world. Armstrong soon
headed to New York City
to join Fletcher Henderson Orchestra and the Creole Jazz Band would cease to be
in 1924.
Oliver took over
Dave Peyton’s band in 1925, renamed it the “Dixie Syncopators,”and moved the
band to New York
in 1927. Once in New York ,
Oliver passed up a chance to have the Dixie Syncopators become the house band
at the Cotton Club. Duke Ellington took the job and went on to fame and riches.
In 1929, Luis Russell took over the Dixie Syncopaters and changed their name to
“Luis Russell and his Orchestra.”
Oliver recorded
until 1931, but his New Orleans
hot jazz style was falling out of fashion. Oliver finally settled down in Georgia , where
he worked as a poolroom janitor until his death in 1938.
Oliver’s classic
sides are available on the following compilations: “King Oliver’s Jazz Band
1923” (1975), “King Oliver’s Creole Jazz Band: The Complete Set” (1997), and
the series, “The Chronological Classics: King Oliver” (1991).
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