The Guess Who: No Time

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From the freezing cold prairie town of Winnipeg, Manitoba, Canada, the Guess Who burst upon the music scene in the late Sixties. When original lead singer, Chad Allen, left the band to return to school, his replacement, the teenaged Burton Cummings, would spearhead the band to international fame.

Cummings and the rest of the band, guitarist Randy Bachman, bassist Jim Kale; and drummer Gary Peterson would soon score a big hit with “These Eyes.” That song would be included in the album, “Wheatfield Soul” (1968), the first Guess Who album to make an impact outside of Canada.

With keyboardist and lead singer Cummings as front man, the Guess Who would record a string of hit singles which included “Undun” and “Laughing” from “Canned Wheat” (1969) and “American Woman” and “No Time” from the “American Woman” (1970) album. The track, “American Woman,” would become the band’s one and only No. 1 hit.

Randy Bachman, a Mormon, would leave the band during the height of its success, fed up with the excessive lifestyles of his band mates. He was replaced by guitarist Kurt Winter, and the Guess Who kept on churning out hits. The album,  “Share The Land” (1970), saw the title track, “Share the Land,” “Hand Me Down World,” and “Hang On to Your Life” all become hits. Despite earning a reputation as a “singles” band, the Guess Who produced solid and consistent albums throughout this period.

The Guess Who would continue to tour and record until 1975, occasionally scoring hit singles and releasing decent albums, the best of which is “Live at theParamount

” (1972).

Buffalo Springfield: For What It's Worth

Buffalo Springfield formed as a result of a famous chance meeting on the Sunset Strip between Neil Young and Steven Stills. After driving his 53’Pontiac hearse from Toronto to Los Angeles with his friend, bassist Bruce Palmer, Neil Young encountered Stills on that famous street. Stills was with his friend, singer and guitarist Ritchie Furay, at the time. Stills and Young had previously met in Toronto and instantly recognized each other. The four musicians stopped, chatted, and decided to form a band. Americans Stills and Furay and Canadians Young, Palmer, and drummer Dewey Martin would become famous as “Buffalo Springfield” in 1966.

Buffalo Springfield released their debut album, “Buffalo Springfield” in 1966 and found instant critical acclaim and popularity. Their music could best be described as folk-rock, but this talented assemblage of musicians played a variety of styles including folk, country, rock, and pop. “For what it’s Worth,” “Go and Say Goodbye,” Flying on The Ground Is Wrong,” and “Nowadays Clancy Can Even Sing” are all classic tracks from the debut album.

With their next effort, “Buffalo Springfield Again” (1967), the band would produce their masterpiece. This album was more consistent than the debut and featured more studio polish courtesy of producer Jack Nitzche. “Expecting to Fly” and “Broken Arrow,” two songs by Neil Young, are the albums’ highlights.

 The band would produce one more solid album, “Last Time Around” (1968), featuring outstanding tracks in “Kind Woman,” “One the Way Home,” and “I Am a Child” before disbanding.

Despite their brief run of just two years, Buffalo Springfield was a hugely influential band that spawned the solo careers of Young and Stills and future country-rock bands Poco, Manassas and Crosby, Stills, Nash, and Young.

Kate and Anna McGarrigle: Heart Like a Wheel

Kate and Anna McGarrigle are sisters from Montreal, Quebec, Canada, who in 1975 formed a folk duo and went on to write and record some of the best contemporary folk music of the last 30 years. The musical McGarrigle family grew as Kate married folk singer, Loudon Wainwright and bore him musical children, singers Martha and Rufus Wainwright.

The McGarrigles appeared on the music scene in 1976 with the release of their classic debut album, “Kate and Anna McGarrigle,” a superb collection of songs ranging from folk and blues to gospel all sung with the McGarrigle sisters’ trademark tight harmonies. The album’s highlights are the songs “Mendocino” and “Heart like a Wheel,” with the latter tune becoming a hit for Linda Ronstadt. The song, “Go Leave” is for Kate’s husband Loudon Wainwright, with whom she had a famously difficult marriage.

The McGarrigle’s follow-up release, “Dancer with Bruised Knees” (1977), was another fine effort that like the debut album, included several songs sung in French.

The McGarrigles have continued to record fine albums, and the best of their more recent offerings are “French Record” (1981), “Love Over and Over” (1982), “Heartbeats Accelerating” (1990), and “Matapedia” (1996).

Leonard Cohen Songs: I'm Your Man

Leonard Cohen, born in Montreal, Quebec, Canada, in 1936, is one of the most enduring of the folk music heroes that emerged during the Sixties. As a songwriter, he is only rivaled by Bob Dylan, Neil Young, and few others in the folk/rock universe. Cohen is noted for his quirky takes on the traditional love song and his use of religious imagery to paint portraits of regret and heartbreak.

Cohen’s debut album was the stark, “Songs of Leonard Cohen” (1967), which features his spare guitar playing and solemn, almost spoken vocals. The album contains the superb songs, “Suzanne,” “Master Song,” “The Strange Song,” and “So Long, Marianne.” Cohen’s guitar and vocals are tastefully supported by the occasional restrained electric guitar, string, reed, horn or woodwind.

Cohen’s debut may well be his masterpiece, but several other contenders were yet to come, including, “Songs of Love and Hate” from 1971. This album is sonically quite similar to his debut and contains somewhat less familiar, although just as memorable songs such as, “Avalanche” and “Dress Rehearsal Rag.” In 1974, Cohen recorded the fine album, “New Skin for the Old Ceremony,” the first of his albums in several years to rival his earliest work. The music here is somewhat sunnier than that on his earlier classics with a somewhat countryish flavor.

Cohen has disappeared from the music scene for long periods during his career to pursue other artistic endeavours such as writing books or poetry, but he has always managed to return with his faculties intact. After a long hiatus, Cohen returned to music in 1988, and recorded another classic with the synth-pop album, “I’m Your Man,” featuring the classic songs, “First We Take Manhattan” and “Take This Waltz.”

Cohen is still active in music today, now well into his seventies.